Transcription: Paula Rego’s ‘Snow White and her Stepmother’ Page 51 and 52, Cutouts

It’s been ages since I put any transcription on.  So – Page 51 and 52  Continuing  with the sinsister shadow theatre idea from Paula Rego’s’Snow White and her Stepmother’, I played about with the cutouts  so I got this – These are the last images in the first book (two journals stuck together). The next artist I researched

Transcription: ‘Snow White and her Stepmother’ by Paula Rego, page 50

Continuing with my transcription of Paula Rego’s ‘Snow White and her Stepdaughter’ page 50 This page continues from the sinster shadow theatre, where I explored the similarities of Katherina Fritsch’s Rattenkonig (Rat King 1993 – 1994) with page 49 I then linked this with Robert Browning’s poem ‘The Pied Piper of Hamelin’.  Imagination can play

Transcription: ‘Snow White and her Stepmother’ by Paula Rego, Page 49 The Sinister Shadow Theatre continued

Continuing with the Sinister Shadow theatre (Page 49 of my transcription of Paula Rego’s ‘Snow White and her Stepmother’)   ‘The German artist Katherina Fritsch’s powerful spatially dominant sculpture ‘Rattenkonig’ (Rat King) 1993 -94 is the product of a very ordinary experience which the artist had in a large city (at the back of New York

My 170th Post! Transcription: Snow White and her Stepmother’ by Paula Rego, Page 46 -48 The Sinister Shadow Theatre continued

I celebrate my 170th post today and still I’m not at the end of my transcription…… Continuing with my transcription on Paula Rego’s ‘Snow ‘White and her Stepmother.  I am now coming to the part where I cncentrate on the Stepmothers arms.  I call this the Sinister Shadow Theatre’   The scarey trees in Disney

Transcription: Snow White and her Stepmother by Paula Rego page 40 – 45 ‘The Sinister Shadow Theatre’

  Continuing with my transcription of Paula Rego’s ‘Snow White and her Stepmother’.  This is page 40.  I am concentrating now on the hands of the stepmother:   page 41 Note how the stepmother’s hands are both grasping and exploring in an almost gloating way:- Sillouettes of these hands form a sinister shadow theatre:-  

My 160th Post: Still Rambling on

Well, I can’t believe that this is my 160th post!  What on earth have I found to write (or ramble on about?)  I now have 11 categories.  Some of these are well left behind – like the London Jaunt and LasVegas.  They’re nice to look back on though.  I am continuing with my Transcription.  That

Transcription page 39 Opt for the Optical Illusion (which is just that)

Continuing with my transcription of Paula Rego’s ‘Snow White and her Stepmother’, page 39 continues to explore possibilities with format. Metalic pen on black card explores unusual possibilities: looking for ways to take the transcription forward. Page 40, I attempt to do a Bridget Riley – and fail!  Riley is famous for her Op Art

Transcription: page 38 Subversive Text

Continuing my transcription of Paula Rego’s ‘Snow White and her Stepmother’  Page 38.  I experimented with script, filling the shapes in with printed defintions of the word ‘stepmother’ and ‘snow’ and ‘white’ etc.  I did  a large board with all the negative spaces filled in, but I havn’t been able to find an image of