Archive for Lynda Roberts

The Bride keeps her Clothes on after all these years

Posted in ART with tags , , , , , , , , , , , , , , , , on January 9, 2009 by echostains

I found this writing I did a few years ago when I was in my Foundation years at Uni.

‘Art and the Subconscious’

“The French writer Andre Breton wrote his first Manifesto in 1924.  Its main objective being to ‘express verbally or by other means the actual functioning of thought – in the absense of any control exercised by reason’.  One of the first artists to be inspired by this and take it as a direction, was Max Ernst.  He had been impressed by Freud’s ‘Leonardo’ essay, where the artist commented on ‘the beauty of spots on the wall’, remarking that ‘if one looks carefully enough, you will make some wonderful discoveries’.  Ernst tried this by placing a piece of paper on his floorboards and rubbing a black pencil over it and thereby producing a ‘frottage’.  He was surprised and amazed by the sudden increase to his visionary faculties and by the contradictory and super imposed images that emerged…………..”

As you can imagine I couldn’t wait to try this out and made loads of these frottages, non of which have survived.  Max Ernst was a favorite artist of mine and one of my favorites paintings that I was actually lucky enough to see in the flesh (Surrealism – Desire Unbound) at the Tate in 2002.  It didn’t disappoint.  This is what I wrote about the painting  (before I knew any of the political implications) : –

ernst The robing of the Bride 1940

 

 

 

“One of my favorite paintings has always been ‘The Robing of the Bride’  (1940) by Max Ernst.  Looking at this painting always produces a sort of primitive response.  This image was on the first poster I ever bought for my first flat.  I never get bored with looking at this image, I find it intriguing, full of symbolism that I don’t fully understand, yet somehow feel familiar with.

This painting echoes something within me that I have nearly forgotten, yet know sense to be still there, though I am unable to quite bring it to the surface.  The effect this painting has on me today  is the same as the first time I saw it.  The secretive Owl like head dress: the small face wedged on top of the breasts: the dark deformed creature crying on the chessboard floor: the texture of the painting (I know now to be ‘Decalcomania’).  I find these images particularly intriguing.  A metamorphosis is going on that sustains my interest on a deeper level each and it happens every time I look at this painting.”

europe_after_rain-1942-decalcomania

europe_after_rain-1942-decalcomania

 One of the interpretations of this painting is the dangers involved in a marriage of the ‘French bride’  to the ‘German Barbarian’.  This is one of the given interpretations.  Ernst was politically conscious, but his oeuvre was the subconscious and the means of reaching it.  So perhaps this political statement was not his sole intention.  I would like to think that Ernst would not be too bothered whether his painting was appreciated as a political statement or whether it be enjoyed on a surreal level.  I am resolved not to resolve the enigma of this painting.

Altered Art book page 3 and 4 ‘A Question of Life and Death’

Posted in MY ALTERED ART BOOK PAGES with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 8, 2008 by echostains

p4  altered art book

p4 altered art book

The conversation on Page 4 was one that I found myself joining in with.  The text says;

 

Your mother is dead’ she told him, and he cried because the world had such a dull empty sound.  She tried to explain.  ‘When someone dies’ she said, ‘they go away’

‘When do they come back?

‘They don’t, she said.  They don’t come back.’

Edit: the word because needs printing out again (and spelling correctly)

 I wanted to question that;

Are you sure about that?

(A bit louder) ‘I said,

 

 

page2 detail

page2 detail

 

 

 Are you sure about that?’ 

Obviously, not knowing the answer, I added

‘Is there anyone there?????’

The image on the page is a ‘Spirit’ photo with a ‘Spirit’ standing at the back.  The woman who looks like she has a tablecloth in her mouth is actually emitting ectoplasm: a fascinating substance that seems to have died out now in Spiritual circles.  This ectoplasm eventually gave form to a spirit or so they say, though I’ve yet to hear a spirit confirm this.  The spirit world seems to have moved on now: it’s all mod cons now: orbs are the new phenomena.  Transformation of communication again.

Life and Death are fascinating questions (or are they both statements: facts?).  What IS life? And what exactly IS death?  We know that there IS Life (well, as we know it), but what is death?  Is there life after death?  Perhaps there’s no death, only a kind of life that goes on and on.  I have always been extremely interested in the preservation of dead bodies.   That’s probably due to a subconscious yearning for Everlasting life .  In that sense, I am no different from an ancient Egyptian.

Seti 1
Seti 1

Mummies fascinate me: whether they are embalmed, desiccated (dried out) usually in a hot climate like the dessert

 

 

Peruvian mummy 1200 to 1400

Peruvian mummy 1200 to 1400

 or preserved in watery bogs.

Tollund Man Bog body

Tollund Man Bog body

It is the preservation of the body (and the soul) that interests me.  It was for one of those reasons I went to see Professor Gunther von Hagens ‘Bodyworlds’ exhibition when it came to Brick Lane London in 2002.  

 

Von Hagens, known as the ‘Plastinater’ (I shook hands with that charming man by the way; his hands were cool…) had called into the exhibition to give an interview to a TV station.  There was also red paint (that at first looked like blood) on some of the backstairs: some kind of a demonstration protest had taken place. 

 

 

 

Dr von Hagens Bodyworlds exhibition

Dr von Hagens Bodyworlds exhibition The Plastination process involves removing fats and bodily fluids from the body: this impedes decomposition. The fluids are replaced with certain resins, silicon rubber, epoxy and elastomers. The material is then hardened and cured with light gas and heat, resulting in permanence.Human body from the Bodyworlds exhibition

My husband wasn’t keen on going to this exhibition, but even he thought it was fantastic.  We didn’t find it morbid or grisly though, though it’s hard to get away from the fact that these are dead people.  Some of them are celebrating things they did in real life.  The professor is no artist though and some of the tableaux could be said to be in bad taste.   I think his attempt to ‘lighten’ what is a controversial subject matter, may have backfired somewhat. But I do think that his intentions were honourable and he really wanted to show how these  body parts worked and what went wrong when they didn’t.   It’s not often that we see exactly what a deceased lung looks like…or a brain haemorrhage, yet these and other illnesses kill us.  When I looked at these illnesses, I felt that I was looking  death in the face (the causes of death) and that the ‘mystery’ had gone: the machine had broken: here’s what has broken it.

 

I gazed in wonder at these dead people who looked back at me.  They were just like me: the same species.  Only they were dead and I was Alive, looking at them: looking at these fantastic, miraculous machines – because machines we are: I couldn’t help but be acutely aware of the ONE difference between me and them: the spark of Life  which I hold within myself.  For that reason I found the exhibition a super Life affirming experience.

 

 

 

 Life affirming! Not death affirming, that’s inevitable.

This leads onto the other question though: is there life after death?  Well if there is, we sure don’t need the body to live it.  In that way, that’s where the Ancients went wrong, they thought the soul was nothing without the body it inhabited.

http://www.bodyworlds.com/en.h

At University, in the Foundation years I came across an artist that dealt with the spirit world.  This man claimed that he communicated with the dead and transmuted their communication through his art.  Austin O Spare dealt with the subconscious. O Spare who was very interested in the Occult and Ancient Magic claimed that some of his brushstrokes were directed by spirits: those who inhabited the Spiritual realm and that his art was automatical, springing from the subconscious.    I wrote an essay about this that I will put on this blog called ‘Art and Subconscious’.  O Spare was one of the artists I used in my research.  I first came across O Spare in an article in the Fortean Times (lots of interesting and thought provoking stuff in this magazine). 

http://www.forteantimes.com/

 

 

'Existence' from the Book of Satyrs by Austin Osman Spare

'Existence' from the Book of Satyrs by Austin Osman Spare

  In an interview with Hannen Swaffer, (An extract from Adventures with Inspiration  Hannen Swaffer) O Spare says about his art; –

“In some cases the ideas are the result of my inward psychical experiences,” Mr. Spare told me, “things I have not necessarily seen, or outwardly experienced. In others, the drawings are automatic, started with no idea as to what form they shall take, and completed without conscious direction.

Laugh aloud Zos answered by Austin O Spare

Laugh aloud Zos answered by Austin O Spare

For more info about O Spare;  

 

 http://www.banger.com/spare/index.html

 

http://www.austinspare.co.uk/zos.html

http://www.austinspare.co.uk/zos6.html

Media used page 4; Acrylics, inks, silver card, rafia, photo copied images

Pages 3 and 4

page-two-three-and-extramap

page-two-three-and-extramap

 

 

Altered Book Project: page 3

Posted in ART, MY ALTERED ART BOOK PAGES with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on December 7, 2008 by echostains
p3  altered art book

p3 altered art book

 

A line on page 3 says ‘Jesus Georgia’. I used a basic word association of Jesus and Jesu which led to Geosus then Georgia; they then sort of amalgamated and became Georgus and Jeorsus! Since Georgia is a place I added a map. You can kind of see that I had Georgia on my mind!

 

 

page 3 altered book

page 3 altered book

 

The madonna in the right hand corner was a photograph I took of a statue. I had recently read a book about the American artist Georgia O Keefe and was struck at one of the likenesses to the Virgin Mary. This defintely influenced me.

 

 

 

page 3 with map

page 3 with map

These pages were done a long time ago (the book kept disappearing). It is good to be able to view it objectively after all this time: comparing notes I made at the time .

keefe-in-front-of-one-of-her-paintings-called-after-a-walk-back-of-mabel-1930
keefe-in-front-of-one-of-her-paintings-called-after-a-walk-back-of-mabel-1930

 

An Alternative page3

The text would have led to Georgia (the place). The Jesus and Madonna figure would have still been there (Jesus Georgia). But would the connection with O Keefe have still been reached if I hadn’t been reading the O Keefe book and hadn’t seen a Madonna like photo of her? Perhaps not, so this was a case of the subconscious at work.Perhaps I should have connected her own art style into this page. It did cross my mind. But Georgia and the New Mexico desert are worlds apart really. But, yes, a lesson learned there: in order to incorporate an artist I need a stronger aesthetic link than just a name association. So I have already established one rule at least. As I said, this is an ongoing learning process.

Media used; Inks, feather, photocopies, card, felt tips, fibres,sequins.