Archive for abstraction

Echostains – what exactly is it’

Posted in ART, ART PORTFOLIO MY PERSONAL ART, exhibitions, MY SURFACES with tags , , , , , , , , , , , , on January 30, 2010 by echostains

echo stain

 People are always asking me how I came up with such unusual name like ‘Echostains’ for a blog. Echostains began was a project I did at University. That project has now seen many changes, but it is still alive and kicking. I am still exploring communication through art, though now the communication is through the written word and in cyberspace. Here’s an explanation of the original concept;-

'Watcher'

‘EchoStains’ is a personal project that I completed in the second year of my Visual Arts BA Hons Degree. (1Ith August 2002). I have split the project into three parts because the process was ongoing and progressive and each part inevitably merged seamlessly into the other, culminating in the final piece – the large painting ‘Echo Stain’. The work is about communication – on all different levels.

'Meeting Place'

Echostains

In this first part of the project, the process is as important as the eventual image, in the sense that ‘recipes’ (see ‘My Surfaces’ category) and media components that have been explored in an earlier project, are now being applied in an almost ritualistic manner; i.e. pouring, splashing, scraping back, and finally painting. So, a dichotomy of measured and automatic response has merged to make the stain tangible. The ‘echo’ is the way that the piece communicates with the viewer – it is a first contact. Dialogue is established through the use of colour conversations. Solid matter versus the metaphysical and slight tensions between the representational and abstract start to emerge.

'House on the Borderland'

Another example is ‘House on the Borderland’ a book by William Hope Hodgson which was made iwth various inks overrunning each other, manually mnipulated to created ‘prisms’ crossing over each other.

'Alan Turing'

Shadow Maps

In this part of the project although the language is still personal, a kind of code is starting to come through. The Shadow Map’ is a form of communication: a visual narrative. Although there seems to be a gradual shifting away from the more nebulous ‘Echo Stains’, the ‘Shadow Maps’ are only an extension of the Echostains’ concept.

'Blue Animation'

Communication is continued by the use of colour relationships and special considerations makes themselves known. This is sometimes explored by painting in more gestural movements: sometimes motivated by lines of poetry – a measured response. The use of certain colour relationships denote mood. Repetition has been employed in some instances to convey a sense of rhythm and immediacy. The Shadow Maps try to give some semblance of coherence to the ‘dialogue’. The ensuing result is that they start to develop into a sort of communicative ‘code’ that is not yet deciphered – still in shadow.

'1066'

The Yellow Wallpaper

The monumental works of the artist Wlodzimierz Ksiazek are both public and personal. He has developed a kind of dialogue that communicates to the viewer. This can be summed up by the quote mentioned in the review by Merleau-Ponty, who wrote of Cezanne’s work how each element contributed to: “an emerging order of an object in the art of appearing, organises itself before our eyes.” It is this kind of ‘dialogue’ that I have used in the third part of my project, inspired by the short story by the American writer Charlotte Perkins Gilman called ‘The Yellow Wallpaper’. The story can be read online.

'Creeping Woman'

Although these paintings do not ‘illustrate’ the story literally: it is the highly personal narrative that is the chief objective. The use of repetition and occasional nuance that starts to communicate on some level with the viewer.

So now you know what the ‘Echostains’ concept is about. Each gallery holds about  a dozen paintings. I shall be putting more on, as well as new work.

 PS

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A room with a view or two – exploring perspectives

Posted in ART, ART PORTFOLIO MY PERSONAL ART with tags , , , , , , , , on January 25, 2010 by echostains

'Tilt' an experiment with perspective

I was playing about with some paint the other day and thought I would do a tonal piece with some interesting perspective incorporated. 

'Tilt' b

 As I’d recently been watching some old DVD’s of the 70s series The Onedin Line, and was inspired by the idea of a ship’s cabin undergoing a storm on the high seas – the inside of the cabin bobbing up and down and showing different perspectives.  ”Tilt’ incorporates non representational images –  but don’t let that stop you spotting any….

'Tilt' b

For added effect I turned the actual image 180 degrees, just to give it even more vistas!  Materials used ; Acrylic on  Daler board.

'Tilt' c

Here’s another little experiment with perspective.  This piece is from a small journal of mine.  It doesn’t really become obvious why the piece is called ‘Threeway’  as I have actually shown four perspectives.  ‘Threeway’ is just a play on the word ‘Freeway’…nothing esoteric about that.  However the eroded corridors and isolation which this space conveys and the colours I have used,  is clear – no matter which way it is viewed….sometimes there just is no escape.

'Threeway'

 I do lots of small experiments like these and have completed quite a few series of experimental works, which I shall put on here every so often. 

'Threeway' 2

‘Threeway’ was made with felt tip pens and a wet paintbrush on paper.  You can get some wonderful effects with this method – a kind of muted watercolour.  But you have to work fast, and you should always use an old paintbrush because somehow or other, this method  just erodes the bristles.

'Threeway' 3

And the last one:-

'Threeway'4

The next personal art will be an explaination of the ‘Echostains ‘ concept and how it came about. 

Meanwhile:-